UP
Distributed by- Buena Vista
American release- 29th of May 2009
Directed by Pete Docter and the Pixar team
Budget– $175 Million
World wide marketing budget- $150 million
Gross (as of 25th oct 2009)
Domestic- $293 million
Foriegn- $214 million
Worldwide- $507 million
Opening Weekend
The fil totaled a release of nearly 4,000 cinemas in the US and grossed $70 million.
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(summary)
One of the main achievements and most highlighted success of the launch of this film, was its airing at ‘The Cannes Film Festival’ Disney Pixar creation ‘Up’ was the first ever animation to open the festival. This is a massive achievement for the animation teams and directors, a new step in the world of feature-length CGI. John Lassester the creative mid working alongside most of the films, is now credited for another step in the world of CGI. John Lassesters influence on animation in my opinion is massive productive and revolutionary. This is what in my opinion makes him and Auteur in the film industry. He has taken the use of CGI animation from the likes of ‘The adventures of Andre and Wally B’, to Toy Story the worlds first feature-length CGI animation. Now obviously Disney had been around for years creating animations, but this market was getting stagnant and out dated, the films were becoming conventional and repetitive. Pixar to animation to a new level, and now are rewarded with the opportunity to open one of the most renowned film festivals across the world.
Review
http://www.bordercountiesadvertizer.co.uk/lifestyle/79951/review-disney-pixar-s-up.aspx
5/5
“WHILE Disney Pixar seems to have lost some ground to Dreamworks in recent years, the studio’s tenth computer animated release, Up, puts them back on top of their game.
Up tells the story of Carl Frederickson (Edward Asner), an old man who – as a boy – idolised an heroic and intrepid adventurer. Whilst out adventuring in his neighbourhood he meets another would-be adventurer, the goofy Ellie.
The first act of the movie is a whistle-stop tour of Carl and Ellie’s lives as they grow up together, fall in love and marry.
With your cinema seat barely warm, however, things turn less rosy for the couple as their dreams of world exploration fade, they succumb to the ravages of age and are eventually separated as Ellie dies.
Carl becomes something of a shut-in, and as developers begin building around the couple’s lifelong home – pestering him to give it up for a place in retirement home ‘Shady Oaks’, Carl gives in and agrees to move out in the morning.
Mementos of his life with Ellie and their dreams of exploration prompt him into action though, and with the bulldozers at the gates – Carl pulls the rug from under their feet as hundreds of helium-filled balloons emerge from the roof, lifting the house from its foundations and carrying Carl off for the adventure he and his love had dreamed of.
Accompanied by scaredy-cat and would-be do-gooder boy scout Russell (Jordan Nagai), the two set off in their helium propelled house to South America – the place where Ellie had always wanted to explore.
As you’d imagine their adventure features enough colourful characters, talking animals and hi-jinx to keep kids and parents alike interested for the film’s 96 minute run-time.
After the film’s romantic, albeit tragic opening, what follows is hugely uplifting and often hilarious.
Once again Pixar impress with beautifully rendered characters and landscapes. The character design is as fresh as ever, with Carl having more than just a passing resemblance to the house he seeks to defend so fervently.
The visuals are complemented by superb voice acting and a suitably Disney score.
In a time when movie studios seem oblivious to the short attention spans afforded to children, Up is merciful in pace and length.
With half term approaching, Up is a perfectly cheery and funny film for the kids and charming and sensitive enough to capture older audience members’ interest.”
CONTINUE TO TALK ABOUT INTERNET AND HOW ITS USED TO ADVERTISE. AND SYNERGY.