Media Evaluation.

March 23, 2010

The brief I choose was detailed as shown, The Animation in it’s was created by me and someone who has since left the course. The poster and review page was created by me only;
A short film in it’s entirety, lasting approximately five minutes, which may be live action of animated or a combination of both, together with two of the following three options:

A poster for the film

A radio trailer for the film

A film magazine review page featuring the film.

In terms of the construction of the three following I felt more confident making a double page spread and a film poster as I have studied the main ground forms and conventions for the construction of these mediums. As my course work last year consisted of creating a double page spread and a front cover for a music magazine, i felt that what i had gained from the researching and creating these would help me in the creation of the poster and review. The Poster would consist of the same elements as an advertising film poster seen on billboards; the review would contain the same forms as a review in a film magazine. It would either act as a promotion of write off of the product, containing pictures and analytical content on the product. The decision on which brief to choose was probably one of the easiest, I knew from the start that I wanted the challenge of creating an animation, learning the process and developing my skills to be able to capably create a stop motion animation. The idea of creating a short film was something I was already drawn to before seeing the brief, stop motion animation had always been in my plan for things to learn and do. As a photography students as well, understanding visuals and the importance of a single frame seemed to be to be a good skill to transfer and apply to stop motion. I began to draft ideas and think of different way I could combine my skills to create the best short film. One of the first ideas I came up with was portraits of different people all experiencing different emotions and changing facial expression, I would then turn this into a stop motion to show the contrast in people and emotion. After reflecting on the idea and getting further into planning I realized that a story would be very hard to develop from this idea. Having researched a lot into Pixar and their works for a case study, I remembered that they key to animation is making inmate objects seems alive, with emotions and thought processes. The idea of making a dinner table come to life and everything on the table experience the romance for them selves, not the couple about to eat the meal came to my mind and everything started to fit. I begin to set out characters and story boards, a process which I normally find hard to do. I never seem to be able to fill storyboards with enough detail to look constructive. This time I felt like I had enough ideas and really managed to create come constructive and effective storyboards. After I had the idea sorted and drafted I realised I needed to gain more knowledge on the look and feel of stop motion, I spent some time observing animations to see how they flowed and they way the camera captured the story. Looking at the different examples I realised there was a simplicity in the camera movement whilst shooting, most of the movement seemed to happen on cuts this was obviously to keep the camera smoother and easier in the flow. I discovered that stop motion animation can work in two different ways; you can have animation that works in ‘2’s’. This is basically the term that describes animation that works in 12 frames a second and ‘1’s’, which is animation that works in 24 frames a second. 2’s is the animation style that is used by amateurs, 1’s is the style that film such as ‘A Night Mare before Christmas’ would use. With this in mind I looked to shoot our film in 2’s, it requires less time and is a little easier. It might not flow as much as shooting in 1’s but I felt as thought I should take precautions and play it safe, it was a decision that was influenced by further research into tutorials and etc… I realised from the research that it’s a challenge to shoot in 1’s. One of the major decisions I had to make in the construction of the animation was what we should actually film, after starting and getting a good start we realised that it was a lengthy and hard process and we had to think about cutting some shots. This decision was hard, but I looked through my storyboards and stuck to the main shots with the others left for add in. This decision worked out perfectly as i soon lost time to shoot. The one main thing I have learnt from this process is that planning is key, even more important than live action. Getting storyboards and you’re shots right is vital as it takes a lot longer to recapture a certain shot. For my film poster, my research took me to different examples of Holly Wood blockbuster films. Although my short film is intended for a different audience I realised from my research that advertising for the audience I wished to attract was non existent. I used these examples as a building block to develop and use the conventions they set out. Choosing a front for a poster is the key detail in my opinion, the primary image will always attract attention but a font needs to be readable and carry a good representation of the film. My font decision was lead by it’s likeness to Pixar and Disney styles, I knew this would carry a good reputation and relate to well understood and loved institutions. The review page leads me into some very difficult situations, I knew that last year I was unhappy with the layout or my double page spread, for my music magazine. So this year I focused on adding more detail and creating more structure to the page. I looked in heavy detail scanning a magazine called ‘FILMSTAR’, I was looking mainly at the pages structure and how the layout covered the page. The main thing I gained from this is that last time I didn’t keep any control to the text; it looked as though it was floating free. This time I developed and followed closer to the conventions, keeping text bordered and contained.

The media package as a whole, I feel serves as capable and successful advertising for my media product. The main focus for my work was to keep to conventions and make everything looks as professional as it possibly could. The reason I did this was to open my eyes to the actual media and get a strong and creative feel for how it is actually made. Challenging the conventions is a process I felt was always needed, like last year with my work I focused solely on creating something different and new and ended up missing the point of my brief. Yes I had created what was asked but I hadn’t gained any useful knowledge on that particular medium and how to work in those way, only how to work against them. I realised this year that focusing more on the medium and working to its standards and expertise will teach me what I need to know, to feel confident enough to go out and create the same product but for an institution will money benefits. I thought practically to the way I wished to approach my work, working with the forms and conventions to gain a better feel for the film industry and the conventions of its advertising. Taking an analytical stance on my film I can happily say I am truly pleased with the outcome, overall I feel it serves well in all aspects of the critical key concepts when analysing a media text. The genre was based on the feel of a 1930’s Fred Astaire and Ginger Rodgers sequence, the essence of these characters and the romantic elegant feel is in my opinion captured very well in my short film. A decision I had to make was if black and white would suit the film style, as the look we aimed for was from a 1930’s concept, when at this time everything was in black and white. The decision was made to shoot in a lower saturation colour with intent to see if black and white had any profound effect in the post-production. As the production came to an end and all that was left were some finishing touches, I made a decision to stick with the film as it was, in the low saturated colour. I felt that some of the romantic connotations with the pink and red and the depth created by the colour would have been lost, it seemed as though the film lost the atmosphere it had with colour. With stop motion animation I realised that it was going to be very hard to excel in terms of story telling, I knew that the film would be about visuals and character emotion and impression. I made a clear cut decision form the very begging that a key element to success would be that I stick to Todorov’s narrative theory, a theory shared by most stories a reflected consistently in fairy tales and fables. The construction of the story reflects this theory;

Equilibrium: Happy couple dancing.

Disruption: Male gets caught up in dance with other character. Female gets upset.

Solution/ Realisation: Male Realises and goes to see her.

Return to equilibrium: Male and Female dance off happy.

The narrative theory has given me structure and a simple story line easy to create and capture in stop motion animation. This allowing for me to concentrate on the elements that will create the emotional impression and audience response such as visuals and sound that will create the true story to the film. Analysing the animation I have realised that the key decision that needed to get right was the music. The song chosen, L.O.V.E- Nat King Cole is what truly creates the emotional response and brings together all the elements to get the audience response of joy and happiness I aimed to create. The decision process took me too many different artist such as Frank Sinatra and more, but Nat King Cole definitely had the sense of passion and also ‘Dance’ that I was looking for.
The movie poster in it’s self is something I am very pleased with, the outcome was what I wished to achieve. As I mentioned, this time I wished to follow the forms and conventions to gain a better understanding in how to make realistic products so what I learn and create will give me a good stepping stone if I ever have to create a real film poster. This medium particularly, was the area I wanted to pay most attention to as the forms tend to be legal requirement. The poster contains all the elements of a high blockbuster poster and gives of the impression and effect the poster should have, noticing the image as primary and title as secondary. I have learnt a lot form this construction and will be able to apply all of it to my future works. I have developed a considerable understanding for the forms and conventions and taken careful consideration to minute details, apposed to challenging the conventions. This approach is more practical and has taught me a lot more, still allowing my self to be creative with the visuals and text size and shape.
Taking the same approach and careful consideration to the magazine review page, I really wanted to gain a better understanding for layout and structure. I went out and actually bought a film magazine to carefully look at all the forms and the structure of the pages. As I already knew from last year the review page will tend to be 70% images, so this is where I would usually start. What I learnt from last year is that my page had no structure or control; it all looked messy and unorganised. So I developed my knowledge further and took a different approach, I began to layout all the sections of the page with simple designs of 3 lines in parallel with equal spacing. This allowed me to keep a constructed area for text and images, I have learnt a lot more this time round about how a magazine is planned and laid out. One thing I really developed this time was my skills in the pre-production, planning and sizing up the page. The text colours and image work well, I am very confident in my skills with the visual side of things, such as images and colour choice. It tends to be my skills with layout and planning where I lack, but this year I feel I have definitely developed this downfall.

To compare my film to an existing media product is a hard comparison, the line of media and target audience I focused on aren’t exactly money making or profitable films. My research took me to short films made by the generation of online social groups that exist due to the revolution in the internet and web 2.0. The idea and concept for my film was that it would be of a similar nature to a youtube viral. This is why I found it difficult to express the film in a film poster, as my particular film wouldn’t be a wide release, it was a decision that I considered and decided that I should just approach the poster as though it was a block buster. Creating a accurate and appealing poster to complete the media package.. The research I carried out at the beginning lead me to many different examples of stop motion animation, I took this research further; looking into the institutions that publish and create these works. In terms of the film it’s self I focused on an institution called ‘Tandem Films’. This web site and company structure gave me a great insight and developed my understanding of how animation can be used, things like advertisements and short web viral for certain sites. When filming I made the decision to proceed as though I was filming for this company. Animation has always been a big passion of mine; I have studies Disney Pixar (Mainly the Pixar side of things) in a lot of detail. One thing I have learnt from my studies is the reputation is even more important than representation. I used this knowledge and applied it to my film poster, the film poster was probably where I paid most attention to audience and institution, seen as the posters job is to attract and convince audiences to see the film. I took into careful consideration ways to influence audience and gain their attention; reputation was something that struck as an idea that would build a good appearance for the poster. I spent time researching Pixar posters with an aim in mind that the reputation of Pixar and their know ability to make please films would influence and persuade audiences. The decision was left mostly with the font, I focused on different styles and different conventions that would help gain this representation and I saw that font was a key element. The font choice was based solely on the thought that the reputation of Pixar and Disney would be a great selling point for the film. One main conventions and form that almost every film carries maybe one that I Disobeyed, most films in the modern age tend to carry a money orientated purpose, this then creates mode of address and attractions placed deliberately in a film to ‘attract’ audiences. Well known actors and actresses, ‘representation’ to attract the audience. This was one, very key convention that I decided to avoid and keep away from, I left my film as a story and what it is. I didn’t consider audiences as I was making it, I didn’t think about what they want to see and how I could interest them. I made a short animation, a story that was in it’s self hopefully the attraction to audiences. This process and way of thinking taught me that making what you wish, the way you want to, adds a sense of realism and added creativity to your work. It may seem a contradiction to what I stated about institutions, but the aim with the institution was to still create a story they loved for what it was, with no purpose other than being entertaining and to show a story. Obviously I couldn’t take the same approach to the film poster, as its main purpose is to attract audience and sell a film. The way my audience would receive the film was something I wasn’t completely focused on, I knew that there would be no representation of social groups or of people at all. So I wasn’t really considering any emotion effect, or social issues the film might raise, I was fairly confident that it didn’t have any at all. The overall reception in my opinion is hard to describe, a common reaction tends to be the ‘Aaawww’ response, I’m not sure the exact word for this reaction but it seems to be the most common. An overall happy and impressed feeling seems to be put across. A decision that I discussed earlier, about the atmosphere of the film being likened to a Fred Astaire and Ginger Rodgers dance sequence was something I also had to consider when thinking about representation. I knew from my research the audience age range would be around 17-24, it wasn’t as though I was aiming my film to them. As I’ve mentioned the youtube community is a mass community with different interests and hobbies, a social site that contains many different groups. My aim was to make a film that could be viewed by any age and any gender and gage a pleasant and good reaction from them. After some post research feed back I feel as though I have succeeded in this task, as a video intended for youtube I knew from the start that word of mouth was going to be the main advertising the film would be subject to. Youtube is a site that operates its success on the social community’s ability to create interest through word of mouth. The feed back I have received comes from all ages and all genders, saying how it appealed to them and they enjoyed the simple story and the general nature of the film. A success that was fuelled from research into a certain auteur, ‘John Lasseter’ a man who claimed the success to animation comes from the life you give it.
“Character animation isn’t the fact that an object looks like a character or has a face and hands. Character animation is when an object moves like it’s alive, when it moves like its thinking and all of its movements are generated by its own thought process…. It’s thinking that gives the illusion of live.”


Condimental Love (Final Animation)

March 18, 2010

Film Poster

February 4, 2010

The process of making this film poster was fairly simple, i knew that the picture was the key element in the poster from my research. Primary viewing for the poster would be around 1-2 seconds, rarely any more. I learnt this from my research, i discovered that in most film poster advertising the message of the film needs to be sold solely through the image. The image is of mass importance, from the examples i have seen they use iconic images and symbols to sell the film and gain the recognized audience, the audience that are familiar with the film either through a prequel or other means. Films like ‘WANTED’ have to use other means to attract the audience mainly they use reputation. The have Angelina Jolie in the main image this sells the film through reputation of this actress, where are ‘DARK KNIGHT’ can use symbols and iconic costumes and images to attract an already existing audience.
I think i have done okay with my film poster considering my audience and it’s release, my film is not to be a cinema released film as i mentioned earlier in my posts and from my research i plan to release this with a youtube type viral video in mind. Now, obviously a youtube viral wouldn’t have a film poster but for the sake of course work i tried to work it in as though it was to be a film for wide release. I followed the same principles as and layouts as the main film posters i looked at.
The design was something i took a while thinking about, as you can see the final draft uses pink as a main colour, i wasn’t to sure about this at first. It didn’t seem to be something that suited the front cover and seemed to be very bright and intimidating. I changed the font and made some colour adjustments, the original main title was completely pink with black behind it. This made it very dark and slightly over powering. I search for a font again and came across what you know see on the poster now. I am a lot more pleased with this font on the page, for some reason i always seem to place a lot of attention into the font. I think a lot can be taken from a font in terms of reputation and representation. This font, colour and design i think really suits the film and the mise en scene on the poster.
With the layout and conventions i stuck to main stream blockbuster films for reference, i know my film isn’t in this industry of cinema but it’s hard to approach and research the area’s such as Pixar shorts. Pixar tend to make short films as tests and for fun, so they don’t really market them.

After some feed bad, the overall connotations from people i have spoke to think that the poster is good and appealing. They gathered from a quick glimpse of it that it was probably a love story and most likely something different. This isn’t a massive message that portrayed but obviously it’s harder for a stop motion to create representation, over a film with an already acknowledged reputation and recognized symbols.
I think i have achieved making a film poster that woul sell my film, although i do think that the film is rather hard to sell as a main stream blockbuster film, seen as it’s a youtube viral.

I have learnt a lot from making this, from my research i realized that there are a lot more conventions to a film poster than i thought. I wasn’t aware the the names and the blurb at the bottom was actually a legal requirement on a film poster. I’ve always been under the impression that film posters are a visual medium, having to sell a film in a matter of split seconds. So have a clear font, simple layout and an easily interpretable image is key when getting the audience to see the poster and actually take it in.


Final Double Page Spread Review.

January 14, 2010

ANIME KING MAGAZINE FILM REVIEW.

– CONDIMENTAL LOVE.

PROCESS:

To start i searched through the images we had captured to see if i could find an in depth image suitable for the background, after a fair amount of looking i realized that most of our shots were taken with a dark background. This proved to be impractical as it made the whole page harder to work on and a lot darker. So i eventually decided to shot a few picture without our makeshift background, working with natural lighting and a low aperture to get a nice depth of field and exposure. I am pleased with the image and the colours really bring out some of the basic and slightly dull text on the page.
The next issue and problem i encountered was the layout,  i wasn’t to sure how film magazines laid out pages for reviews. I did some research and looking at a magazine called FILM STAR, after taking into account all the small details they had i started to plan out the page with lines to create boxes which text and images would fall into. I also realized that the film title was one of the most outstanding parts of the page, in terms of primary and secondary viewing, the title in my opinion was considered to be primary over any images, (although in most cases they tend to appear together).
After searching for a font i settled for the one you see as i believed that it had a very friendly yet bold appearance, it could be be seen and noticed without appearing to overpowering. I also was given a very childlike ‘playful’ impression from the font. I felt this reflected my film best.
I began to search for single images to use as fillers and visual attractions for my review, the main thing i gathered from my research is that images are a main part to a review. Many readers of a magazine tend to flick, there for making it more important to appeal to their visual nature. I think the pictures i chose are engaging and show a good range of angles and views of the film with out giving to much away.
To keep a structure and format to my page and layout i kept to the theme of using the lines to divide everything up. This was something i saw and only noticed in the magazine i researched near the end, only at the of the production process i realized that everything looked a little unorganized and astray. All the text and images didn’t have any sort of control, i researched a little more looking at the magazine and saw that there was a framed style. I then proceeded to add the dark lines that divide the text and add more depth to the page.

By this time all i had to do was write up the review and finish a few more touches. The crown was something i wasn’t sure on doing but I’m glad i did use it and keep it, i think the title is important and in the same way the font sets of an audience reaction and response the crown an visual effect do the same thing. i distorted and skewed the shape to make it fit easier and look better.


FONT CHOICE.

January 14, 2010

Font choice for the the last section, my opinion sways more towards either of the college style fonts as they have more of a teen/ young adult relation. The fonts are iconic to American universities and the US college/Universities have connotations of partying and enjoyment. I feel it creates a good image for my magazine, also the representation will fall in favor when targeting that age and audience.


Procduction log 11.12.09

December 11, 2009

Today was the third filming session we have had, things are going well and i am pleased with the styles and the shots we are coming out with. We are planning every shot with careful detail and making sure the dance and movement flows. One thing we have stick to since the beginning is to make sure we have more than needed images, we have over shot making sure each sequence and shot is fully prepared to remove excess images other than need images to put in.
The main issue we have encountered during filming is lighting, we knew this was going to be a major issue because from the start we knew that it would have been hard to acquire the right form of lighting. We were always looking for a soft style lighting, more ‘mood lighting’. We didn’t want to use studio lights as this would cause a very harsh effect, we decided to to chance it and use natural lighting arranging the blinds to to opt for the right angles in the light. After some adjustments we felt that we had a nice exposure to our photographs, this was good for the day, we soon realized that when we came to shoot on a another day the lighting may not be the same as it was last time. This is the main problem we have encountered, maintaining an even exposure.
The other small problem we encounter was movement, keeping a continuous motion and making it flow through out the this will be something we shall look further into when editing.


Production log- 10.12.09

December 10, 2009

Today’s lesson consisted of some of the final touches to the layout of the film review page, i was studying a magazine closely as i made it but i wanted to keep a fair away from the design to challenge conventions mostly. I kept to the style and layout to make it seem more realistic, i am pleased with the outcome so far i still have some text to put in but the basic idea is finished.

I gave the colours a lot of thought realizing that the pink was a good option to go with, i kept the rest of it basic using mainly black and white to stay with the theme of the photograph. The pink has a connotation of love and passion, relating to the narrative. The black and white is also connected to the characters, the colours can be seen as connotations of male and female which is a good impression to create with the narrative


Working Title- “Condimental Love”

December 10, 2009

Through out planning with have had a few names for the title of the short animation, we haven’t been to sure on what fits. We knew from the start we didn’t want it to appear tacky, we wanted the title to be romantic and something that will make you smile. Creating the same effect as the film it’s self.
We had a few ideas, one being-
‘The Salt Shake’
The title has a close relation to the dancing that is featured in the film, we decided that this title was to tacky and ‘silly’ to be taken seriously.
After some consideration and research into certain terms and phrases we found the term-
‘Unconditional Love’.
We felt this suited the film and the narrative, a love between inanimate objects. It allows the audience to understand the concept of love being everywhere, not just what we see, that ‘what if..’ situation.
After looking and seeing the name, we had the idea of trying to relate it back to the style and the narrative more. We had the concept of mentioning the cutlery in the title but couldn’t get around the task of doing so.
This is when we had found the term ‘condiments’ and ‘comdimental’ we decided to try and work this into our Production title. We eventually came up with-
‘Condimental Love’
This term explains the relation to a ‘table top romance’ we feel it fits best and is a term that we shall strongly consider. We shall be conducting some consumer research soon to see what peoples opinions are on this title and also if it makes sense and is understandable to our audience. The audience is a variation of ages, it’s more a ‘community’ than age. We are looking to make the animation appeal to the ‘You tube Community’, a wide a varied audience.


Animation Filming- Production/ Post- Production

November 19, 2009

Frame rate is one of the main things to consider when we start filming, i have been researching into certain things that i have been curious about for our film. After watching some tutorials i have learnt that most amateur animations are filmed in what is called ‘2’s this means that it is filmed for 12 Frames a second. Animations such as ‘A Nightmare Before Xmas’ operate at what is called ‘1’s this means that they are filmed for a full 24 frames and second. I think our best bet would be to operate in 12 frames as this will make the film longer and will still keep a smooth flowing film.

When planning our animation we had many ideas and shot plans for the camera to move in mid shot. After looking at some examples on the internet i have realized that this is avoided in filming in even the most well produced examples on youtube. Camera movement is most of the time kept simple and only changed on movement or to follow the story, taking this into consideration we are well aware that when we film it will be very hard to return to a shot and retake some of the images. So we will remember that it’s best to take more pictures than not enough, moving the camera to change camera angle and shot is the best movement to stick to.

Software

Istop motion would be the best software for us to work on as it has the capabilities for us to use onion skinning which would be a massive help when filming our animation. I have also looked into a program called ‘Frame Thief’ it’s a decent and recommended piece of software, but the charge is to excessive for our needs. Istopmotion is also something that is kept by a money issue, we can’t afford to obtain the program so we are having to settle with the software that was included with the Canon 500D i recently purchased.


Production Log 12.11.09

November 12, 2009

In today’s session i was looking at a film magazine called Filmstar, this was for 2 reasons. 1 being that it has a very relevant article to my case study for film and media, 2 it’s a very good example of something i can look at to get a good understand of how film magazines and posters look. I spent some time looking into the front cover and the review page just to get a good feel for what is needed and what they contain. I know have a fairly decent knowledge of the reviews and how they are set out. I’m more aware of what is needed and how important images are in the process of attracting the audience, much the same as a music magazine. They share very similar conventions and keep to the same limits. I shall look further into film review magazines to get a more wider and varied knowledge, i shall look into magazines such as empire as this is the leading film magazine.